This feature is part of a new RSF blog series, Work in Progress, which highlights some of the ongoing research of our current class of Visiting Scholars.
For years Lee Ann Fujii of the University of Toronto has focused in depth on a subject that most people would prefer to avoid: graphic displays of violence. A 2013-2014 Visiting Scholar at the Russell Sage Foundation, Fujii’s current research examines violent incidents in three disparate geographical regions in order to form a theory of why people participate in killings and atrocities within their own communities.
The three episodes that Fujii examines are a 1992 massacre of Muslim men in Bosnia, the mob lynching of a black man named George Armwood in Maryland in 1933, and the killing of a prominent Tutsi family during the 1994 genocide in Rwanda. Though these occurrences span both time and geography, Fujii’s research shows how each instance constitutes what she calls a performative violent display—an act of violence intended to communicate a message to various audiences. How do violent displays differ from ordinary violence? Fujii argues that violent displays shift and transform social reality, opening a space for participants to act in ways they normally would not and fostering opportunities for participants to enact and define new identities. Violent displays, she argues, leave a mark.
